Within the quiet atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. His posture is naturally upright, his limbs defined beneath a plain white T-shirt. On stage, dancers can appear as powerful deities, yet often offstage they are small. This is not true for Ball, whose height is one reason for his popularity for heroic characters and pas de deux work. Possessing fine traits and piercing eyes, there's a hint of a brooding actor about him.
A Seamless Ascent to the Pinnacle
At 31, Ball is enjoying the crest of a career that has advanced smoothly. Growing up in Liverpool, he encountered little teasing for his childhood passion in ballet. Entering the Royal Ballet School at 11, he moved directly into the company and was advanced each year, attaining the top rank of principal in 2018. He has relished taking on substantial characters, particularly the emotional angst found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
Ball's upcoming featured role is in a talk, in an "In Conversation" series designed to offer intimate insights into a performer's art. He will guide the crowd through a role, showing his mental workflow while execution. Even in lighter ballets, the test is significant. "Don Quixote is one of the most demanding technically," he states.
The Psychological Struggle and After the Show Emotions
How does he feel following a performance, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get lost in the role, frequently I do feel embarrassed afterwards. After an intense role I'm always thinking: Wow, what must people think?"
Offstage, Ball is reflective, polite, and quick to laugh at himself. But a dance maker previously observed on a "kind of suffering in him." Does this exist? "I am very active in general, but I do have a dark side," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for good change."
Early Motivations and Creative Inspirations
His determination originated in youthful experiences. Not excelling in contests at school made him "vengeful!" It was fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he remembers.
The next endeavor is creating his own dance works. In his view, "there's nothing wrong with." "Challenging the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing inspiration from literature, music, and art.
Intimate Dance and Private Partnership
He additionally favors presenting dance in smaller venues. "It was just really exciting," he says of a previous show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"
Ball has created pieces with his girlfriend, fellow principal Mayara Magri. The degree of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." The couple aren’t usually matched on stage at their main theater, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite supporter."
On Social Media and Physical Perception
On Instagram, followers can see clips from his projects and photos that highlight a sculpted physique. Does he mind that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—an object that can be seen on various ways.
Ball describes his early self as "eager for success." Has it met his expectations? "I feel very aware of how life is a different reality to the aspirations you had as a young person," he reflects. He probably has another ten years of dancing ahead. "I guess in the future, I want to be a bit more kind with myself."